Evoking this idea of a dangerous and unclear traverse, Nove dias depois da queda invites the viewer to analyze both the difficult journeys and challenges found in life, and how these reflect the changes and evolutions found in ourselves and our paths. These traverses, both figurative and literalm, whose length and sceneries we do not know, are mimicked in the title of the show, a reference in old mythology of the amount of time it would take for an anvil to fall from the Heavens to the Earth, trying to give measure to what is essentially an immeasurable distance.
“Wild Within” | “Silver Lining”
Soft pastels on dibond.
70 x 50 cm
“Air Systems”
I. Vitalis
II. Ascension
III. Solarisation
Soft pastels on dibond.
100 x 70 cm
Text and Curation by Francisca Portugal
“Treatise” (II, I, III) (from left to right)
Iron and inox.
Dimensions vary.
2025
“Circe’s Hex” and “Dance of the Nine Opals”
suspended drawings shown in photos
Graphite on gravure paper, mounted on a stainless steel frame.
50 x 70cm
2025
“Courage, audacity, and rebellion will be key components of our adventure.”
A curatorial project by Francisco Trêpa.
bloodbath
Oil and soft pastels on paper over inox.
21 x 29cm.
2022
This section is dedicated to my drawer of drawings — a beloved piece of furniture that holds much of my practice.
1. nébula
Soft pastels and linseed oil on Arches paper 350g
60 x 100cm
2024
2. hunter
Soft pastels on Fabriano paper 350g
40 x 70cm
3. no title
Soft pastels on Fabriano paper 250g
21 x 42cm
4. burning garden
Soft pastels on Fabriano paper 250g
21 x 42cm
5. tree on a heel
Soft pastels on Fabriano paper 250g
21 x 42cm
6. snake
Soft pastels and linseed oil on Fabriano paper 250g
21 x 42cm